Publications
This page is arranged in true chronological order (as opposed to the inverted blog style). Last updated November 2011
Single-author publications
“Delrin, korp eller kondor.” Tidig Musik 4 (1995): 32-34. (On making harpsichord plectra. Swedish language.)
“Kieltjes.” Het Clavecimbel 3 (1998): 20-24. (Revision and translation of 1995 article into Dutch. See here for the 2008 English version)
“Keyboard Instruments of the Young Beethoven.” In Beethoven and His World, eds. Scott Burnham and Michael P. Steinberg. Princeton: Princeton University Press, 2000, 151-192.
“Beethovens Erardpiano.” Tidig Musik 4 (2001): 32-35. (Swedish language.)
“Beethoven’s Erard piano: its influence on his compositions and on Viennese fortepiano building.” Early Music 30 (2002): 522-538. (Substantially revised and extended version of 2001 article.)
“Att spela historiska tangentinstrument.” Tidig Musik 2 (2007): 12-15. (Introduction to playing historical keyboard instruments. Swedish language.)
Beethoven the Pianist: Biographical, Organological, and Performance-Practical Aspects of His Years As a Public Performer. Ph.D. Diss. Skrifter från Institutionen för musikvetenskap, Göteborgs universitet nr 84. Göteborg: Göteborg University 2007. [order at the Centrum för Kulturstudier, Institutionen för kultur, estetik & medier, Göteborgs universitet, Box 200
405 30 Göteborg]
“Speeltechniek op het klavecimbel volgens Couperin en Rameau deel I: François Couperin.” Het Clavecimbel 2 (2007): 21-24.
“Speeltechniek op het klavecimbel volgens Couperin en Rameau deel II: Jean-Philippe Rameau.” Het Clavecimbel 1 (2008): 14-16.
“Beethoven and the Orchestral Piano.” Musique – Images – Instruments: Revue française d’organologie et d’iconographie musicale 11 (2009): 181-189.
Beethoven the Pianist. Cambridge: Cambridge University Press, 2010.
“Beethoven and the Clavichord.” In Essays in Honor of Christopher Hogwood: The Maestro’s Direction, ed. Thomas Donahue. Lanham: Scarecrow Press, 2010, 197-208.
“Grand and grander: Economic sidelights on piano design and piano salesmanship in early nineteenth-century Vienna.” Co-authored with Andrew Pinnock. In Interpreting Historical Keyboard Music: Sorces, Contexts and Performance, ads. Anrew Woolley and John Kitchen. Aldershot: Ashgate (in preparation).
Reviews
“Pieter Dirksen, Heinrich Scheidemann’s Keyboard Music: Transmission, Style and Chronology.” Early Keyboard Journal 25/26 (2010): 225-29.
“Mozart: text and interaction” (reviewing John Irving, Understanding Mozart’s piano sonatas (Farnham: Ashgate, 2010)), Early Music 39 (2011): 616-18. Published online at http://em.oxfordjournals.org/ on Nov 9 2011. Early Music 2011; doi: 10.1093/em/car093
“To fix or not to fix; John Watson, Artifacts in Use: The Paradox of Restoration and the Conservation of Organs.” Keyboard Perspectives 4 (2011): 207-12.
Translations
Skowroneck, Martin. “The Harpsichord of Nicholas Lefebvre 1755.” The Galpin Society Journal 55 (2002): 4-14. (Translated from German into English.)
Skowroneck, Martin. Cembalobau/Harpsichord Construction. Bergkirchen: Bochinsky, 2003. (Translated from German to English.)
Contact: tilman[at]skowroneck[dot]de, or view the contact page.
