building site: forqueray suite 1

I am going to fill up this space with video recordings of Forqueray’s first suite in D-minor.

First out: La Laborde, recorded 20 May 2020.

La Forqueray, recorded 7 June 2020.

La Cottin, recorded 3 July 2020

remembering M. S.

May 14, 2020

Today six years ago, Martin Skowroneck passed away. He would have been 93 years old now. I made a spontaneous–after-dinner-recording in his memory of one of my favorite pieces, the Prélude in D by Jean – Henry D’Anglebert.

Later tonight, we will celebrate him by filling, lifting, and emptying, a glass in his memory. I know he would have wanted that.

 

stay-at-home cyclopes

In my second stay-at-home video, I play J.Ph. Rameau’s Les Cyclopes, a piece that is good for encores but dangerous to play when too tired (so it’s always good to have an alternative ready!).

 

 

stay-at-home baricades

Recording oneself at home is now an accepted thing that musicians (including harpsichordists!) do, who are stranded at home with their concerts canceled. Below is a link to my after-dinner version of François Couperin’s rather mysterious baricades. The meaning of the title of the piece from his second book of Pieces de Clavecin remains unknown, according to the Wikipedia article, although there are a number of possibilities of varying degrees of juiciness.

The challenge of this not-frightfully-difficult piece is to find a balance between the indication Vivement and not playing so fast that the harpsichord begins to sound like a mechanical 18th-century toy.

françois couperin recordings coming soon

I spent two of the last days in March 2020 before the (comparatively moderate, but still) Swedish coronavirus-stay-at-home recommendations went live, recording a harpsichord program with music by François Couperin. The program contains the first Prélude in C-major and selections from the third Ordre in C-minor from book 1 of the Pièces de Clavecin; the second Prélude in D-major and selections from the second Ordre, and the sixth Prélude in B-minor and the entire magnificent eighth Ordre in B-minor.

Two sound samples are here (Second Ordre, La Terpsicore and La Garnier:

The recording was made in Ödenäs church on March 4 and 5, 2020, by Erik Sikkema. The Harpsichord is a 18th-century French model (5 octaves) by Martin Skowroneck (1980).

new bach CD

© Tilman Skowroneck April 2020

My newest CD with works by J.S. Bach is now available on the German label TYXart.

The program includes the Sixth English Suite BWV 811, The Prelude, Fugue and Allegro in E-flat major BWV 998 and Gustav Leonhardt’s version of the Second Violin Partita BWV 1004 which ends with the famous Ciaccona, about which I have previously written in this post. Two sound examples can be found below.

The recording was made by Freek Sluijs in Bremen in October 2018. The harpsichord is a nigh-copy of the 1728 two-manual Christian Zell in the Museum für Kunst und Gewerbe, Hamburg, made by Martin Skowroneck in 1976.

Baroque music lovers from Baltimore may remember this instrument as formerly owned by Charlotte and Clifford Truesdell. The elaborate stand was made by Rod Regier in Freeport, Maine. I re-quilled the instrument with bird plectra a few days before the recording.

new CD now commercially available

© Tilman Skowroneck 2018

As I have written previously, I made a new solo recording in June 2015. It is now available on CD, produced by the German label TYXart. The official announcements are here (German) and here (English). Listening examples can be found here. The CD is available worldwide, for instance at amazon.com. If you already have this disk, why not go there and leave a review?

The initial reviews were very positive. See my “reviews” page for a few examples.

The complete track list follows below: